Wooo! Did I ever get to see Finntroll again the other night.
They were playing a small show before their gig at Sauna Open Air up in Tampere the day after, so I went with a couple of friends who also love Finntroll.
Some strange band called Draugnim opened up for them. They were dressed heavily in cloaks/robes and mail and whatnot. I had never heard of them before. They looked pretty metal. The music was fine and the vocals were fine... in theory, however, it was rather boring. If you've read any of my other reviews, you know I have a big problem with monotonous sound. The music was okay and sort of folky, which is good, but still, just sort of droned on after a while and I lost interest in it after 3 songs or so. Considering all the shitty bands that have opened in other shows I've seen in the last year or two though, this one wasn't terrible by comparison.
And then there's Finntroll. I met Vreth (the singer) at the merch table and chatted with him for a while before the gig got going. I'm not sure why but I sort of expected him to be a bit stuck up but he was actually quite friendly. Their merch was all on sale, from anywhere from 5-15 euros, which is an absurdly cheap price, especially in Finland. This was apparently because they didn't really have any merch for the show so they just grabbed whatever they could find... turned out it was all old tour stuff from around 2004 and on some of the shirts, they didn't even play most of the gigs because they were cancelled. He was nice to chat with and took a couple pictures with Garance and I (unfortunately I looked like hell in both of them :P but oh well) and then we went to watch the opening.
Finntroll's show was fantastic. Vreth came out with his crazy stick-finger glove that always amuses me (and never seems to leave on for more than one song, which doesn't surprise me). We were right up front so it was great to be right up there, unlike their other show, which I saw from about 20 meters back, behind the mosh pit. The set list was excellent and the performance was fantastic. I could have been happier if I could hear some more of the keyboardists but that is a very small complaint.
I am always happy to hear Trollhammaren, En Mäktig Här, and several others, but the real highlight of this show was the last song they played, off Visor Om Slutet (their acoustic EP), Forsvinn Du Som Lyser... one of the most ecstacy-inducing songs you could possibly imagine, played way faster than normal, and I wanted to jump and dance around like a maniac when I heard it.
So, Finntroll has yet to fail me live, with a spectacular performance each time. I definitely wouldn't pass up another chance to see them!
Year: June 2009
Opening bands: Draughnim
Who I went with: Garance Bascle, Teemu Maarela, Marc Taylor, Marc's two friends, Antti and ?
Location: Helsinki - Virgin Oil Co.
Jun 8, 2009
Concert Reviews - Nortti
Welcome to the secret review of Nortti's [code name] first show. I won't go into much detail because I'll be writing a proper review sometime after the 25th.
Went to Semifinal the other night with Mikael just because he pursuaded me that it would be a good idea to go for a bit. Turned out it was one of my favorite bands playing a show! To boot, Mikael introduced me to everyone in the band.
I've never seen this band play before and they have just replaced their old singer, who I really loved, so I was interested to see what this would be like.
The show was fantastic. I got to hear a lot of songs that I wanted to hear and got a nice preview of the new singer's voice, which was very good. I admit that I didn't find him particularly nice when I spoke to him (or thereafter), unfortunately. However, the keyboardist and bass player were both very nice, friendly guys.
I advise anyone in Helsinki not to turn down a random metal show they might come across. You never know what you might find!
Year: June 2009
Opening bands: nil
Who I went with: Mikael Holmlund
Location: Helsinki - Semifinal
Went to Semifinal the other night with Mikael just because he pursuaded me that it would be a good idea to go for a bit. Turned out it was one of my favorite bands playing a show! To boot, Mikael introduced me to everyone in the band.
I've never seen this band play before and they have just replaced their old singer, who I really loved, so I was interested to see what this would be like.
The show was fantastic. I got to hear a lot of songs that I wanted to hear and got a nice preview of the new singer's voice, which was very good. I admit that I didn't find him particularly nice when I spoke to him (or thereafter), unfortunately. However, the keyboardist and bass player were both very nice, friendly guys.
I advise anyone in Helsinki not to turn down a random metal show they might come across. You never know what you might find!
Year: June 2009
Opening bands: nil
Who I went with: Mikael Holmlund
Location: Helsinki - Semifinal
Me and the new singer... at least he was nice enough to take a picture with me.
May 26, 2009
Concert Reviews - Amberian Dawn
It has been quite some time since I've been to a show. That's kind of a shame, but I'll be back into it soon enough!
Just a week or two after I arrived in Finland I heard of a band called Amberian Dawn, sort of an operatic gothic metal band from the general Helsinki/Espoo area. I downloaded the CD, gave it a listen, and thought it wasn't bad.
So in trying to find something to do the other night, one of my friends suggested we go to a place called Gloria, where Amberian Dawn and a couple others were playing. I was most pleased with this idea, so we gathered a plethora of friends and headed there.
To get right into it, AdaMantra opened up and they were interesting. They had sort of a Dream Theater/Stratovarius thing going on but the mixing was rather poor, as Marc put it. Generally speaking the music was okay and the singer had a decent wail but in the end I would just give it a mediocre. It was nice and I had no problem listening to it, but it didn't particularly jump out at me. However, as the show continued it seemed to improve and you could tell by watching the crowd that they had a slow start into it but by the end the crowd was really cheering, so they were quite well received.
Soulcage was... umm... well, not really my thing. The music was okay but the singer really bugged me and I was distracted by this the entire show. He looked like some sort of diva, dancing like Annette Olzon from Nightwish, spinning his mic around really fruitily, and really just sort of looked like he was probably a huge douchebag. His vocals were fine but the style was not great. I really just found that the entire thing sounded very mainstream/generic and sort of American, which is the last thing I want from a Finnish band.
Lastly was Amberian Dawn. What to say about that? The music was great. It had a nice feel, it sounded good, there was lots of diversity and power with the two guitars and keyboard... all around pretty solid. Heidi Parviainen is a fantastically beautiful woman with an astounding voice. She has a very opratic sound, very classical, and she is a delight to watch on stage. She looks very beautiful and feminine but without looking like a diva. She looks metal.
So why am I not giving this band a better review? For the same reason I didn't give the CD a better review. All the songs sound the exact same. It's beautiful, it's elegant, it's metal, and it's boring. The stage show was great, the performance was great, the sound was great, but if you've heard one song, you've heard them all.
It was definitely a good time and worth the 10 eu I paid to get in but I wouldn't feel the need to see them again necessarily unless they open up a bit more with their next album and show some more diversity.
Year: May 2009
Opening bands: AdaMantra & Soulcage
Who I went with: Marc Taylor, Jessica Grotensohn, Ines Klammer, Garance Bascle, Antti Pasonen
Location: Helsinki - Gloria
Just a week or two after I arrived in Finland I heard of a band called Amberian Dawn, sort of an operatic gothic metal band from the general Helsinki/Espoo area. I downloaded the CD, gave it a listen, and thought it wasn't bad.
So in trying to find something to do the other night, one of my friends suggested we go to a place called Gloria, where Amberian Dawn and a couple others were playing. I was most pleased with this idea, so we gathered a plethora of friends and headed there.
To get right into it, AdaMantra opened up and they were interesting. They had sort of a Dream Theater/Stratovarius thing going on but the mixing was rather poor, as Marc put it. Generally speaking the music was okay and the singer had a decent wail but in the end I would just give it a mediocre. It was nice and I had no problem listening to it, but it didn't particularly jump out at me. However, as the show continued it seemed to improve and you could tell by watching the crowd that they had a slow start into it but by the end the crowd was really cheering, so they were quite well received.
Soulcage was... umm... well, not really my thing. The music was okay but the singer really bugged me and I was distracted by this the entire show. He looked like some sort of diva, dancing like Annette Olzon from Nightwish, spinning his mic around really fruitily, and really just sort of looked like he was probably a huge douchebag. His vocals were fine but the style was not great. I really just found that the entire thing sounded very mainstream/generic and sort of American, which is the last thing I want from a Finnish band.
Lastly was Amberian Dawn. What to say about that? The music was great. It had a nice feel, it sounded good, there was lots of diversity and power with the two guitars and keyboard... all around pretty solid. Heidi Parviainen is a fantastically beautiful woman with an astounding voice. She has a very opratic sound, very classical, and she is a delight to watch on stage. She looks very beautiful and feminine but without looking like a diva. She looks metal.
So why am I not giving this band a better review? For the same reason I didn't give the CD a better review. All the songs sound the exact same. It's beautiful, it's elegant, it's metal, and it's boring. The stage show was great, the performance was great, the sound was great, but if you've heard one song, you've heard them all.
It was definitely a good time and worth the 10 eu I paid to get in but I wouldn't feel the need to see them again necessarily unless they open up a bit more with their next album and show some more diversity.
Year: May 2009
Opening bands: AdaMantra & Soulcage
Who I went with: Marc Taylor, Jessica Grotensohn, Ines Klammer, Garance Bascle, Antti Pasonen
Location: Helsinki - Gloria
Dec 17, 2008
Concert Reviews - Turisas & DragonForce
What do you expect when you get tickets to see DragonForce? I don't think anyone really knows what to expect. I expected to laugh, I guess.
When I first heard DragonForce, I honestly thought they were a band that was making fun of metal just because they are so cheesy. That was a year or two ago. One day I finally realized that they were a serious band that was just ridiculous. I didn't know what to think after that.
Last night was the last concert of the year for us. When we heard that DragonForce was playing in Calgary, we laughed and thought, yea, maybe if the tickets are cheap or if they have a sweet opening band.
So I did some digging and found out that a band called Turisas was opening for them. For those of you who haven't read my band review on them, I'll summarize it: I fucking love that band. The first song I heard was a metal cover of the song "Rasputin" by Boney M. How awesome is that? They also do a cover of "Those Were the Days," which is also amazing. But not only do they do brilliant covers, but their own work is amazing. Matthias "Warlord" Nygård is exactly what I've been looking for in a viking/folk metal singer, and they have an accordion player, Netta Skog, who is insane, and a violinist, Olli Vänskä, who is pretty much my hero in the world of violins. So, needless to say, I was pretty stoked to see them last night, even though they were opening for Dragonforce.
Turisas came next, and they were really what I wanted to see. Well, I really wanted to see them live in their homeland where they have a bigger following, but why not see them in Canada while they're here?
While DragonForce was setting up, Hannes "Hanu" Horma (bass) and Olli Vänskä were out in the lobby and I went to talk to them. They're both incredibly nice guys, really excited to see someone who came to the show to see them and not DragonForce, and Olli said that getting some sheet music for download is on his list of things to do (being a violinist, I asked him if he has any because his stuff is just brilliant). They were both very friendly and pleasant guys, and very appreciative of the support they were getting.
So lastly was DragonForce. I have heard that these guys are terrible live, so I wasn't expecting much from them, save for a good laugh. Well... I did get my good laugh, several times over. They're absolutely absurd to watch as they dance around on stage and the keyboard player rocks out like he overdosed on speed before coming onstage. It was hilarious. However, to my immense shock, the music wasn't bad. They seemed to successfully execute their solos and the sound was good. So you may ask then, why did I not stay for the whole show? Well, to be perfectly honest, I don't know any of their songs, save for Through Fire and Flames, but they all sound the same. This reminded me of why I don't actually listen to DragonForce on a regular basis - because there is no differentiation between songs. There is decent singing, really good guitar playing, entertaining keyboarding with good soloing, and so on and so forth. But even if it's good, if you don't know it and it all sounds the exact same, it's not really that interesting. So needless to say, we stuck it out for a while, but didn't think it was worth standing for another hour to finish watching. We didn't get to see Through Fire and Flames, but we figured they'd play it at the end and didn't want to watch the whole concert to see one song that sounded just like all the other ones we had been listening.
The coolest part of their portion of the show was when Netta came out during the keyboard player's solo song and they had a speedy dual of accordion vs keytar.
Year: December 2008
Opening bands: Powerglove
Who I went with: Michael Widmer
Location: Calgary - Mac Hall
When I first heard DragonForce, I honestly thought they were a band that was making fun of metal just because they are so cheesy. That was a year or two ago. One day I finally realized that they were a serious band that was just ridiculous. I didn't know what to think after that.
Last night was the last concert of the year for us. When we heard that DragonForce was playing in Calgary, we laughed and thought, yea, maybe if the tickets are cheap or if they have a sweet opening band.
So I did some digging and found out that a band called Turisas was opening for them. For those of you who haven't read my band review on them, I'll summarize it: I fucking love that band. The first song I heard was a metal cover of the song "Rasputin" by Boney M. How awesome is that? They also do a cover of "Those Were the Days," which is also amazing. But not only do they do brilliant covers, but their own work is amazing. Matthias "Warlord" Nygård is exactly what I've been looking for in a viking/folk metal singer, and they have an accordion player, Netta Skog, who is insane, and a violinist, Olli Vänskä, who is pretty much my hero in the world of violins. So, needless to say, I was pretty stoked to see them last night, even though they were opening for Dragonforce.
Powerglove, faintly
The first band on the venue was called Powerglove. We missed most of them because we were in the merch line. When we finally got out though, we encountered one of the most bizarre things I have ever seen: a bunch of guys in ridiculous foam costumes (the singer looked like he had spiked Koopa shells on his shoulders and the drummer had two tall flags on his shoulders) with a giant inflated bat on stage with them, opening with a song about the ultimate weapon in Final Fantasy VII - Omnishred. I almost had a heart attack from a combination of hysterical laughter and amazement, because it was actually really good. Then they did a song about a plumber who does fireflowers and mushrooms, who flushed himself down the toilet and instead of dying, like most people, ended up in the Mushroom Kingdom: Mario Minor. And they ended with none other than the Power Rangers theme, metal style. I remained in shock (and amusement) because, as lame as they really and truly looked, the music was pretty sweet. I am a huge nerd, so I appreciated it.
Turisas
Turisas came next, and they were really what I wanted to see. Well, I really wanted to see them live in their homeland where they have a bigger following, but why not see them in Canada while they're here?
Netta and Jussi
They opened with Battle Metal, A Portage to the Unknown, One More (a drinking song in celebration of trying out three new beers in Canada, all of which gained the seal of approval), In the Court of Jarisleif, the cover of Rasputin that I love so much, and ended with To Holmgard and Beyond.
Warlord
This set, to my immense delight, included four out of four songs that I wanted to hear (Battle Metal, One More, Rasputin, and To Holmgard and Beyond).
Warlord, enjoying some Canadian beer
It was all awesome. Battle Metal got the crowd interested, and The Court of Jarisleif let them mosh around like madmen. They had one of the best responses for an opening band I've seen this year and, as a huge fan myself, I thought it was awesome. The vocals were great, Netta on the accordion was incredible, and Olli on violin was particularly brilliant. All of the musicians in that band were just amazing. And I do love that they dress up like barbarians in war paint and fur and leather and all that good stuff. It was fantastic, they have great energy, really got the crowd going, and the music was phenomenal. It was without a doubt the best opening show I've seen, and one of the most enjoyable concerts (aside from being way too short) I've seen this year.
Hanu and Olli
While DragonForce was setting up, Hannes "Hanu" Horma (bass) and Olli Vänskä were out in the lobby and I went to talk to them. They're both incredibly nice guys, really excited to see someone who came to the show to see them and not DragonForce, and Olli said that getting some sheet music for download is on his list of things to do (being a violinist, I asked him if he has any because his stuff is just brilliant). They were both very friendly and pleasant guys, and very appreciative of the support they were getting.
Turisas, bidding the crowd goodnight
DragonForce
So lastly was DragonForce. I have heard that these guys are terrible live, so I wasn't expecting much from them, save for a good laugh. Well... I did get my good laugh, several times over. They're absolutely absurd to watch as they dance around on stage and the keyboard player rocks out like he overdosed on speed before coming onstage. It was hilarious. However, to my immense shock, the music wasn't bad. They seemed to successfully execute their solos and the sound was good. So you may ask then, why did I not stay for the whole show? Well, to be perfectly honest, I don't know any of their songs, save for Through Fire and Flames, but they all sound the same. This reminded me of why I don't actually listen to DragonForce on a regular basis - because there is no differentiation between songs. There is decent singing, really good guitar playing, entertaining keyboarding with good soloing, and so on and so forth. But even if it's good, if you don't know it and it all sounds the exact same, it's not really that interesting. So needless to say, we stuck it out for a while, but didn't think it was worth standing for another hour to finish watching. We didn't get to see Through Fire and Flames, but we figured they'd play it at the end and didn't want to watch the whole concert to see one song that sounded just like all the other ones we had been listening.
The coolest part of their portion of the show was when Netta came out during the keyboard player's solo song and they had a speedy dual of accordion vs keytar.
Keyboard vs accordion
It was fun to watch their fingers flying around and I won't deny that I was a little more than impressed. It takes some serious talent to know all those tiny buttons on an accordion well enough to fly across them that quickly.
So in the end, Powerglove was a great new discovery, DragonForce proved themselves to be competent live, and the only disappointment from Turisas was the short length of their set. I hope they come back again, headlining, so I can hear more of them live. It was a great performance and I'd recommend anyone to check them out.
So in the end, Powerglove was a great new discovery, DragonForce proved themselves to be competent live, and the only disappointment from Turisas was the short length of their set. I hope they come back again, headlining, so I can hear more of them live. It was a great performance and I'd recommend anyone to check them out.
Hanu, me, and Olli.
Year: December 2008
Opening bands: Powerglove
Who I went with: Michael Widmer
Location: Calgary - Mac Hall
Nov 22, 2008
Concert Reviews - Iced Earth
If you want to destroy your ears, I recommend checking out Iced Earth in concert. I saw them a couple days ago with Kilyakai and Early Man.
So, first things first. We went for dinner before the show and tried to skip as much of the opening as we could. We came in near the end of Kilyakai performing. They were okay, I suppose. The singing wasn’t that great and the singer had ridiculous stage presence. The music wasn’t bad and I have to appreciate that the sound was at least decent for their performance. Nothing special.
I can’t say the same for Early Man. It’s tough to judge when whoever is doing sound for your band has no clue what they’re doing, but even through that, I knew they were, quite blatantly, awful. You couldn’t hear the singer’s voice unless he was screaming, and the screaming alone was incredibly irritating. One of the guitars was far too loud and they were letting the guitars feed back WAY too much. Everything sounded sloppy, like a bad jam session. I wished they had played first so it had been them we missed most of. Such is life though.
So out came Iced Earth. My brother asked me to call which songs they would start with, so I went with the intro to The Crucible of Man (In Sacred Flames), followed by Behold the Wicked Child (the first song after the intro) where the band would come onstage and play. I was right! And it was awesome. Frankly though, I didn’t really have any idea what songs they played. After the first two, the next one I knew was Burning Times, Watching Over Me, Dracula, The Coming Curse, and Stormrider (which Jon Schaffer sang for, which was cool). A couple I didn’t know offhand but found out later were Declaration Day (which was rad with Barlow on vocals) and High Water Mark. The encore consisted of Melancholy (The Holy Martyr) and Iced Earth. They played at least one song off Framing Armageddon, which sounded awesome with Barlow on vocals. There were a few others songs I didn’t know that I really liked, but in general it was all good.
One of the cooler parts about this show was that we had VIP tickets, so we got to hang out afterwards and meet the band. Or should I say, hang out afterwards and say hello, get some stuff signed, and then get your picture taken. “Meet” and greet pushes it a bit. I can’t really blame them, they’ve just been rocking and they’re tired. And they were still friendly, which was great. Jon Schaffer in particular seemed really happy to meet everyone who came out and they all really seemed to appreciate everyone’s support on their first show in Calgary (Matt Barlow stated that he thought Montreal was the most metal city in North America but that Calgary might’ve taken their place). I told Matt Barlow that I was glad that he came back and even though I imagine he hears that all the time, he seemed to appreciate the compliment. I gave my hellos and you rocks to everyone and by the time I got to Troy Steele (the other lead guitarist), I had nothing else to say. Regardless, when I got to him, he thanked me for coming to the show, and I thanked him for being awesome. He seemed pretty amused. After that we waited in line for pictures and I got in there, not knowing what to do, and Matt Barlow was laughing at me because apparently I couldn’t decide whether to do the metal horns in the picture and he said they were wussy or something. I was like, aww, I’m sorry, and he just laughed and gave me a pat on the back. They all seem like really nice, friendly, personable, down-to-earth people, and I have a lot of respect for them as musicians and as people.
All in all, these guys are really just great people. They really put their all into their music and appreciate every person who comes to see them play. For their first time in Calgary, it was a great show. I wished I knew more songs that they played, and I hope one day my ears stop ringing, but I was really impressed and I am glad I got to see them. I’d definitely check them out if they came again.
Year: November 2008
Opening bands: Kilyakai, Early Man
Who I went with: Michael Widmer, Jeff Wiseman
Location: Calgary - Mac Hall ballroom
So, first things first. We went for dinner before the show and tried to skip as much of the opening as we could. We came in near the end of Kilyakai performing. They were okay, I suppose. The singing wasn’t that great and the singer had ridiculous stage presence. The music wasn’t bad and I have to appreciate that the sound was at least decent for their performance. Nothing special.
I can’t say the same for Early Man. It’s tough to judge when whoever is doing sound for your band has no clue what they’re doing, but even through that, I knew they were, quite blatantly, awful. You couldn’t hear the singer’s voice unless he was screaming, and the screaming alone was incredibly irritating. One of the guitars was far too loud and they were letting the guitars feed back WAY too much. Everything sounded sloppy, like a bad jam session. I wished they had played first so it had been them we missed most of. Such is life though.
Jon Schaffer and Matt Barlow performing Behold the Wicked Child
So out came Iced Earth. My brother asked me to call which songs they would start with, so I went with the intro to The Crucible of Man (In Sacred Flames), followed by Behold the Wicked Child (the first song after the intro) where the band would come onstage and play. I was right! And it was awesome. Frankly though, I didn’t really have any idea what songs they played. After the first two, the next one I knew was Burning Times, Watching Over Me, Dracula, The Coming Curse, and Stormrider (which Jon Schaffer sang for, which was cool). A couple I didn’t know offhand but found out later were Declaration Day (which was rad with Barlow on vocals) and High Water Mark. The encore consisted of Melancholy (The Holy Martyr) and Iced Earth. They played at least one song off Framing Armageddon, which sounded awesome with Barlow on vocals. There were a few others songs I didn’t know that I really liked, but in general it was all good.
Matt Barlow and his beefy arms
I have to say, Matt Barlow has a voice. That man can wail and the first time, I felt that my eardrum throbbing and I had to cover it because I was actually worried. I imagine that it must be hard to do sound for a man with a four-octave vocal range. You have to crank it up because otherwise you can’t hear his low vocals, but as a result, when he goes into those falsetto shrieks, it feels like you’re brain is about to explode in your skull.
Otherwise (not saying it was bad, just kind of intense) musically, the show was great. I think that Iced Earth’s website describes them as a galloping rhythm, not unlike Iron Maiden, but with a bigger, heavier horse. That was more evident at the concert than it ever has been before. You could really hear the influence. Jon Schaffer’s rhythm was loud and intense, and the drummer’s playing, particularly in the intro to one song that I didn’t know (High Water Mark), was quite enjoyable. Musically, aside from some issues with the sound booth and the turmoil in my ears from Barlow’s wailing, it was incredible. I only wished they played more songs I knew, like The Dark Saga, or anything (Dracula aside) off Horror Show.
Otherwise (not saying it was bad, just kind of intense) musically, the show was great. I think that Iced Earth’s website describes them as a galloping rhythm, not unlike Iron Maiden, but with a bigger, heavier horse. That was more evident at the concert than it ever has been before. You could really hear the influence. Jon Schaffer’s rhythm was loud and intense, and the drummer’s playing, particularly in the intro to one song that I didn’t know (High Water Mark), was quite enjoyable. Musically, aside from some issues with the sound booth and the turmoil in my ears from Barlow’s wailing, it was incredible. I only wished they played more songs I knew, like The Dark Saga, or anything (Dracula aside) off Horror Show.
Jon Schaffer singing Stormrider
One of the cooler parts about this show was that we had VIP tickets, so we got to hang out afterwards and meet the band. Or should I say, hang out afterwards and say hello, get some stuff signed, and then get your picture taken. “Meet” and greet pushes it a bit. I can’t really blame them, they’ve just been rocking and they’re tired. And they were still friendly, which was great. Jon Schaffer in particular seemed really happy to meet everyone who came out and they all really seemed to appreciate everyone’s support on their first show in Calgary (Matt Barlow stated that he thought Montreal was the most metal city in North America but that Calgary might’ve taken their place). I told Matt Barlow that I was glad that he came back and even though I imagine he hears that all the time, he seemed to appreciate the compliment. I gave my hellos and you rocks to everyone and by the time I got to Troy Steele (the other lead guitarist), I had nothing else to say. Regardless, when I got to him, he thanked me for coming to the show, and I thanked him for being awesome. He seemed pretty amused. After that we waited in line for pictures and I got in there, not knowing what to do, and Matt Barlow was laughing at me because apparently I couldn’t decide whether to do the metal horns in the picture and he said they were wussy or something. I was like, aww, I’m sorry, and he just laughed and gave me a pat on the back. They all seem like really nice, friendly, personable, down-to-earth people, and I have a lot of respect for them as musicians and as people.
The full band
All in all, these guys are really just great people. They really put their all into their music and appreciate every person who comes to see them play. For their first time in Calgary, it was a great show. I wished I knew more songs that they played, and I hope one day my ears stop ringing, but I was really impressed and I am glad I got to see them. I’d definitely check them out if they came again.
Iced Earth saying goodnight
Year: November 2008
Opening bands: Kilyakai, Early Man
Who I went with: Michael Widmer, Jeff Wiseman
Location: Calgary - Mac Hall ballroom
Nov 15, 2008
Concert Reviews - In Flames
Concert Reviews – In Flames
Well, ever since seeing the video for My Sweet Shadow, I’ve been hoping In Flames would come this way. I know they were here with Gigantour earlier this year but I didn’t want to spend the money if they weren’t headlining. Lucky me, they came back a few months later.
In Flames is touring with All That Remains, a decent (considering) American metal band, and Gogira, another decent band. I think someone else played but we were looking (and unimpressed) at the shirt selection and didn’t catch them at all.
So to start with, Gogira was interesting. My first thought is to say that I didn’t hate them. It says a lot, because I hate most opening bands. These guys weren’t hard to listen to, but at the same time, they didn’t really stand out. They had a bit of thrash, but only in one or two songs and not enough to piss me off, and the singer had moments where he sounded like David Draiman (from Disturbed) but in the end, their music was pretty good and, while the singing was a bit boring, it wasn’t terrible. Definitely not the worst thing you could get stuck listening to on a car ride, that’s for sure. They should probably give their bass player some Ritalin though... he looked like he might lose his head if he doesn’t relax a bit.
Next up was All That Remains. I am pretty outspoken in my dislike for American metal. I classify it as American metal because the metal that comes out of America and that comes out of Europe is an entirely different style of music. With that in mind, again, these guys weren’t terrible. The singer amused me a bit cuz he looked kinda like he should be at a frat party, not in a metal band, but he was alright. His nipple rings were a bit distracting though. No comment on that one. The music wasn’t bad but I wasn’t a huge fan of the singing. But, like I said, it definitely wasn’t terrible, but not really my style.
Disappointments? Aside from the lack of Anders during the Come Clarity choruses, I was really disappointed with their lack of encore. This is the second band now (the first being System of a Down) and I find it to be such a let-down. Your crowd wants you, so give them more! I hate no encore. Hate it. Also, I didn’t find Take This Life to be a good ending song. I think it’d be a better opening song. I mean, I know that oftentimes the goal is to leave your crowd wanting more when you go, but you can’t end with an opening song, it kind of leaves you feeling incomplete. And they had the possibility to do something like Only for the Weak for an encore, which would’ve been awesome. Alas, such is life. And really, without all that, it was an awesome show. The band seemed happy to be there, enthusiastic, and just looked like they were having a good time.
Anders said he likes Canada better than the US but told us not to boo, which I liked (I really don’t know why people do that, but whatever; I guess people are just competitive by nature), and said he wasn’t just sucking up to us. It’s up to you whether to believe him though. It’s still a nice gesture, either way.
So with all that, I’m really hoping they come back again (like he said they would), with a new set of songs I haven’t heard yet live, and a version of Come Clarity where he sings more in the chorus. I left that concert feeling great and wanting more, and I think that’s a generally good way to leave a show.
Year: November 2008
Opening bands: ???, Gogira, All That Remains
Who I went with: Michael Widmer
Location: Calgary - Mac Hall (main floor)
Well, ever since seeing the video for My Sweet Shadow, I’ve been hoping In Flames would come this way. I know they were here with Gigantour earlier this year but I didn’t want to spend the money if they weren’t headlining. Lucky me, they came back a few months later.
In Flames is touring with All That Remains, a decent (considering) American metal band, and Gogira, another decent band. I think someone else played but we were looking (and unimpressed) at the shirt selection and didn’t catch them at all.
So to start with, Gogira was interesting. My first thought is to say that I didn’t hate them. It says a lot, because I hate most opening bands. These guys weren’t hard to listen to, but at the same time, they didn’t really stand out. They had a bit of thrash, but only in one or two songs and not enough to piss me off, and the singer had moments where he sounded like David Draiman (from Disturbed) but in the end, their music was pretty good and, while the singing was a bit boring, it wasn’t terrible. Definitely not the worst thing you could get stuck listening to on a car ride, that’s for sure. They should probably give their bass player some Ritalin though... he looked like he might lose his head if he doesn’t relax a bit.
Next up was All That Remains. I am pretty outspoken in my dislike for American metal. I classify it as American metal because the metal that comes out of America and that comes out of Europe is an entirely different style of music. With that in mind, again, these guys weren’t terrible. The singer amused me a bit cuz he looked kinda like he should be at a frat party, not in a metal band, but he was alright. His nipple rings were a bit distracting though. No comment on that one. The music wasn’t bad but I wasn’t a huge fan of the singing. But, like I said, it definitely wasn’t terrible, but not really my style.
Anders in the spotlight, talking to the crowd.
Ah, In Flames. I am a big big big fan of Anders Fridén. In the last year and a half, I’ve also become a big big big fan of In Flames. I know a lot of the old school fans will say, “whatever, new In Flames sucks and isn’t what it used to be.” My ex told me that Soundtrack to Your Escape sounded like Linkin Park. But hey, I like Linkin Park and he doesn’t. I really don’t see the similarity either way. I feel that bands should play the music they want to play and be true to themselves. If you don’t like it, you don’t have to listen to it.
One of the guitarists, Björn Gelotte.
They opened with a couple songs off their new album, Sober and Irrelevant, along with Mirror’s Truth. Amongst those, they also played Satellites and Astronauts, Pinball Map, Eraser (a song about forgetting the past and being who you want to be), a combo of either Dead God in Me or Food for the Gods into The Jester Race (which was pretty cool, considering I don’t know much old stuff), System, Trigger, Cloud Connected, The Quiet Place, Touch of Red, Delight and Angers, and Alias, plus a few others, ending with Take This Life.
Mostly everyone.
I got the song I HAD to hear (there’s one at every concert, right?), which was Come Clarity, though I was disappointed that Anders didn’t sing along to the chorus through most of the song, which really is what makes it so amazing, so that kinda sucked. It was still incredible though. A few that I would’ve liked to hear that I missed out on were My Sweet Shadow (probably my second favourite song by them), Clayman, and Only For the Weak (which I’m surprised they didn’t play).
The guitarists.
What I really enjoyed about this show, was that it was just a very well-rounded concert. Anders interacted with the crowd, talked to us, and made us laugh (like when the guitar player was playing little riffs while Anders was asking where they could go party after the show, saying something along the lines of “Hey! I am trying to talk to them about something very important; partying, and you are interrupting me with your guitar. SHUT UP!”). With the number of songs they have, you know you’re going to hear a lot of stuff you want to hear, and a lot of stuff you don’t care about either way. I found at the beginning I wasn’t too impressed with their selection but it got progressively better throughout the show. However, I imagine it encompassed enough of a range of their music to satisfy pretty much everyone, so I can’t complain.
What I mean by well-rounded though, is that it seemed like a concert that almost anyone could really enjoy. It was heavy enough that the hardcores were in the middle moshing to most of it, but it was relaxed enough that we were standing off to the side, rocking out and enjoying the music, and still able to see the show without being pressed up against big sweaty guys. Even the songs, like Eraser, that I’m not particularly fond of, sounded awesome live. As I said, anyone who knows me musically knows that I am a big Anders fan and he did not disappoint live. The music was fantastic, as good or better than it sounds on the albums, and it generally just made me happy, sounded amazing, and had a really good atmosphere, even with the Beer Gardens open (which usually results in at least one obnoxious drunk pissing me off for a minimum of half an hour, and I was spared them for the most part). It was a really good set and I was really impressed with them overall.
What I mean by well-rounded though, is that it seemed like a concert that almost anyone could really enjoy. It was heavy enough that the hardcores were in the middle moshing to most of it, but it was relaxed enough that we were standing off to the side, rocking out and enjoying the music, and still able to see the show without being pressed up against big sweaty guys. Even the songs, like Eraser, that I’m not particularly fond of, sounded awesome live. As I said, anyone who knows me musically knows that I am a big Anders fan and he did not disappoint live. The music was fantastic, as good or better than it sounds on the albums, and it generally just made me happy, sounded amazing, and had a really good atmosphere, even with the Beer Gardens open (which usually results in at least one obnoxious drunk pissing me off for a minimum of half an hour, and I was spared them for the most part). It was a really good set and I was really impressed with them overall.
Anders and the others.
Disappointments? Aside from the lack of Anders during the Come Clarity choruses, I was really disappointed with their lack of encore. This is the second band now (the first being System of a Down) and I find it to be such a let-down. Your crowd wants you, so give them more! I hate no encore. Hate it. Also, I didn’t find Take This Life to be a good ending song. I think it’d be a better opening song. I mean, I know that oftentimes the goal is to leave your crowd wanting more when you go, but you can’t end with an opening song, it kind of leaves you feeling incomplete. And they had the possibility to do something like Only for the Weak for an encore, which would’ve been awesome. Alas, such is life. And really, without all that, it was an awesome show. The band seemed happy to be there, enthusiastic, and just looked like they were having a good time.
Another group shot.
Anders said he likes Canada better than the US but told us not to boo, which I liked (I really don’t know why people do that, but whatever; I guess people are just competitive by nature), and said he wasn’t just sucking up to us. It’s up to you whether to believe him though. It’s still a nice gesture, either way.
So with all that, I’m really hoping they come back again (like he said they would), with a new set of songs I haven’t heard yet live, and a version of Come Clarity where he sings more in the chorus. I left that concert feeling great and wanting more, and I think that’s a generally good way to leave a show.
The group saying thank you at the end.
Year: November 2008
Opening bands: ???, Gogira, All That Remains
Who I went with: Michael Widmer
Location: Calgary - Mac Hall (main floor)
Oct 10, 2008
Concert Reviews - Ensiferum & Amon Amarth
I am exhausted. The show last night was pretty intense and I didn't get to bed until after 1:00 a.m. We caught the Amon Amarth with Ensiferum concert. It was kinda cool, before the show, Amon Amarth was standing by the shirt/etc vendors to sign autographs. Lucky me, they went to get ready for the show right before I could indulge. Such is life.
So the first band to open was The Absence, I believe, from California. They were... not bad. As soon as he said they were American I thought, "oh great, bring on the thrash." However, the music was decent and the singing not bad. They also all sported impressively long hair and wicked beards. Except the drummer, he looked like he might be a member of Our Lady Peace in his spare time, hah! Given my usual leary outlook on American metal bands, I was considerably not horrified by them.
Belphegor was another classic example of how to ruin a great drummer by turning his work into NOISE. Mindless smashing siunds were all I heard. Like I expected from the first band, these guys brought on the thrash. It did a great job of reving up the crowd and all those moshers seemed to really like it, but I've been well known for not having any taste for thrash. Other points of note include... well... ok, listen, to all you singers out there... if you can sing with a growl, sweet, but if you can't talk with it - don't. We don't care, I promise. This guy was trying to growl while he spoke and he honestly sounded like Kermit the Frog if he had gone hardcore. I could only laugh at him. It was ridiculous. The guitar player (I think) was really creepy looking and the singer brought out what I might've thought was a BDSM mask if I hadn't been at a metal concert, which was just kind of strange. Whatever you're into I guess. Really, I wasn't impressed with them at all. Also, I found them to be just a bit too loud. Yes, I realize I was at a metal concert, but it was just... harsh, and not in a good way.
So lastly was Amon Amarth. I haven't listened to them much but for a straight-up viking/death metal band, they're pretty sweet. I liked With Oden on Our Side so I bought Twilight of the Thunder God at the show, and I've since been enjoying it.
They opened with TotTG, which was sweet. Others that I caught, were Free Will Sacrifice, Guardians of Asgaard (so heavy and so awesome), Where is Your God?, Valhall Awaits Me (the only song of theirs I really know offhand, and really enjoyed), Hermod's Ride to Hel (another one I vaguely recognised, which was also amazing live), and Cry of the Black Birds (unbelievable). They introduced a couple older ones to me, like Death in Fire, which was wicked and heavy, and I have to say, the mosh pit took up pretty much the entire floor of the Warehouse and looked pretty brutal.
As for the band, I didn't see the drummer pretty much at all, but I could hear him and that was enough, he was great. The bass player was on a 5-string, playing low and heavy, the guitar was intense, and the singer was amazing. He's really smiley and makes the crowd feel like the band really appreciates being able to play for us. As for the music, for me not recognizing most of it, and it being heavy death metal, moshing music but without the thrash, I loved it. It made me want to bang my head and growl, which not a lot of music does. They had some nice looking synchronized head-banging and the band toasted their horns (literally) of ale (beer?) to the crowd in the oldschool viking manner.
This was their second time in Calgary, first time headlining, and I left the show with a good feeling just of having sincerely enjoyed myself in the presence of a band I don't really know very well. I really hope they come back again once I get a bit more familiar with them. I enjoyed the show a lot and I'd recommend them to anyone who likes that heavy viking/death metal.
Year: October 2008
Opening bands: The Absence, Belphegor, Ensiferum
Who I went with: Michael Widmer, Graham Widmer*, Gianna Romano*
Location: Calgary - The Warehouse
* Sorry about the shit pictures - The Warehouse is terrible for getting good shots for some reason.
So the first band to open was The Absence, I believe, from California. They were... not bad. As soon as he said they were American I thought, "oh great, bring on the thrash." However, the music was decent and the singing not bad. They also all sported impressively long hair and wicked beards. Except the drummer, he looked like he might be a member of Our Lady Peace in his spare time, hah! Given my usual leary outlook on American metal bands, I was considerably not horrified by them.
Belphegor was another classic example of how to ruin a great drummer by turning his work into NOISE. Mindless smashing siunds were all I heard. Like I expected from the first band, these guys brought on the thrash. It did a great job of reving up the crowd and all those moshers seemed to really like it, but I've been well known for not having any taste for thrash. Other points of note include... well... ok, listen, to all you singers out there... if you can sing with a growl, sweet, but if you can't talk with it - don't. We don't care, I promise. This guy was trying to growl while he spoke and he honestly sounded like Kermit the Frog if he had gone hardcore. I could only laugh at him. It was ridiculous. The guitar player (I think) was really creepy looking and the singer brought out what I might've thought was a BDSM mask if I hadn't been at a metal concert, which was just kind of strange. Whatever you're into I guess. Really, I wasn't impressed with them at all. Also, I found them to be just a bit too loud. Yes, I realize I was at a metal concert, but it was just... harsh, and not in a good way.
Sami Hinkka (bass) and Petri Lindroos (vocals and guitar) of Ensiferum
Next on the list was Ensiferum. I was actually more stoked to see Ensiferum than I was to see Amon Amarth because I'm a bigger fan of folk metal than death metal. This happened to be another episode of "can that scrawny little guy really growl?"
Markus Toivonen (guitar) in the front and Emmi Silvennoinen (keyboards) of Ensiferum
And he could, and he was wicked. I wasn't familiar with anything they played except the intro, which is from Victory Songs, but I truly enjoyed all the music. The bass player was playing on a 7-string bass, which was incredible, and they threw in a metal Stairway to Heaven intro to one of their songs that was pretty cool. I really like the keyboarding in Ensiferum so I was sad that their touring pianist seemed to be turned down a bit and most of the time I couldn't hear her. The music was still great but I could've used some more of her. I imagine there won't be any complaints if they keep her in as a full time keyboardist for the band because, when I could hear her, she was very good. Unfortunately, they didn't play for very long. For headlining with Amon Amarth, I really think they could've done with a longer set that around 30 minutes. They could've eliminated Belphegor entirely and just had Ensiferum play through there too - that would've been ideal to me.
The visible parts of Ensiferum
So lastly was Amon Amarth. I haven't listened to them much but for a straight-up viking/death metal band, they're pretty sweet. I liked With Oden on Our Side so I bought Twilight of the Thunder God at the show, and I've since been enjoying it.
They opened with TotTG, which was sweet. Others that I caught, were Free Will Sacrifice, Guardians of Asgaard (so heavy and so awesome), Where is Your God?, Valhall Awaits Me (the only song of theirs I really know offhand, and really enjoyed), Hermod's Ride to Hel (another one I vaguely recognised, which was also amazing live), and Cry of the Black Birds (unbelievable). They introduced a couple older ones to me, like Death in Fire, which was wicked and heavy, and I have to say, the mosh pit took up pretty much the entire floor of the Warehouse and looked pretty brutal.
As for the band, I didn't see the drummer pretty much at all, but I could hear him and that was enough, he was great. The bass player was on a 5-string, playing low and heavy, the guitar was intense, and the singer was amazing. He's really smiley and makes the crowd feel like the band really appreciates being able to play for us. As for the music, for me not recognizing most of it, and it being heavy death metal, moshing music but without the thrash, I loved it. It made me want to bang my head and growl, which not a lot of music does. They had some nice looking synchronized head-banging and the band toasted their horns (literally) of ale (beer?) to the crowd in the oldschool viking manner.
Ted Lundström and Johan Hegg of Amon Amarth
Amon Amarth raising their horns to toast
This was their second time in Calgary, first time headlining, and I left the show with a good feeling just of having sincerely enjoyed myself in the presence of a band I don't really know very well. I really hope they come back again once I get a bit more familiar with them. I enjoyed the show a lot and I'd recommend them to anyone who likes that heavy viking/death metal.
Drinking the toast
Year: October 2008
Opening bands: The Absence, Belphegor, Ensiferum
Who I went with: Michael Widmer, Graham Widmer*, Gianna Romano*
Location: Calgary - The Warehouse
* Sorry about the shit pictures - The Warehouse is terrible for getting good shots for some reason.
Amon Amarth, head banging
Oct 8, 2008
General Reviews - Turisas
So Dragonforce is coming to town. I found this out when I was picking up tickets to the In Flames and Amon Amarth/Ensiferum shows and I was thinking, "haha, sweet, I bet they're terrible live - I wonder how much tickets cost." I asked the girl and she said the whole shebang was around $45 total (she was lying, I looked online and saw they were $35 a few days ago). And for someone who paid $35 to see In Flames, a sweet band, why would I pay that much to see a band who is good for amusement value at best and is probably terrible live? Yea, wasn't planning on going.
However, a few days ago I thought I'd look and see who's opening, just incase they're sweet. It's this band called Turisas that I'd never heard of before, so I went to look on youtube to have a listen. Well, if you know Turisas, you will know that the first song I came across would be Rasputin. So I hit it and listen. Then I think, "hey, I know that tune.... oh man! OH MAN! YES! FUCKING YES!" It was a metal cover of Rasputin by Boney M, which is a sweet disco song made even SWEETER by being metal. I came very close to soiling myself with excitement.
So I go to the next song, which was the official video made of fan clips for the song Battle Metal, which I guess is their big thing. The song was awesome in a way that claims fame to wicked music, killer vocals, and just a hint of cheese.
So of course I went straight to Play and bought The Varagian Way (limited Paganfest tour edition). It's more or less a story album about a viking journey, from what I gathered (Varangian being a term for viking).
I popped it onto my computer and started copying it and I thought... this first song (To Holmgard and Beyond) is unbelievable! The intro music draws you right in and I love Mathias "Warlord" Nygård's vocals. You can tell the thick Finnish accent without it limiting his voice, but actually makes it seem more suitable for the music. And the music - it's just awesome. The whole collaboration of the actually band members' instruments with the symphonic stuff that Warlord provided for the background just makes the song. Also, Warlord growls just enough to change up the vocals but without being annoying. I straight up love it.
The next song (A Portage to the Unknown) starts out with an accordion intro that has kind of a piratey-viking feel to it that you don't get in much metal unless you venture into the realms of Finntroll and Korpiklaani. The slowed down vocals are really nice so you can actually hear what Warlord is saying. The collaboration of multiple singers into the chorus gives it more of an epic feel too. I particularly like when one of them busts out the "give me all you 'ave..."
I wasn't sure at first if I liked Cursed Be Iron or not. I find the clanking blacksmith noises to be cool but the initial singing has a bit more of a mainstream American feel to it. However, once he slows down with the accordion droning in the background it sounds good again. After you get past the intro shock, it actually sounds just heavy and not American. I also really like the part at the end with the whispering. I read that this song was inspired by a finnish epic poem called The Kavelava but I couldn't find it to compare. Lyrically this song is very interesting.
I actually didn't know Fields of Gold was a separate song at first because Cursed Be Iron flows into it so directly. It takes the feel of Cursed Be Iron and continues on with it, softening the harshess and allowing the song to be a bit more musical. It has a nice feel following Cursed Be Iron.
The Court of Jarisleif is another one with a bit of a Finntroll folky feel to it, just a happy accordion song that makes you want to dance around and party with King Jarisleif, like the song indicates. Jarisleif was actually a ruler in Rus (Yaroslav I the Wise), so this song is actually a very entertaining take on real history. The violinist really gets going in this song too, which I really like.
I LOVE the intro the Five Hundred and One. The piano has a really beautiful sound that reminds me of the title screen music for the Tristan and Isolde DVD and I love the music from that movie. The song is a bit heavier than I would've expected from such a pretty intro. It changes quite abruptly but becomes a really intense song, going up and down in intensity while maintaining flow.
The Dnieper Rapids really does feel like an raging river as it starts. Warlord's little introductory growl is a nice touch leading into the false sense of calm that comes before the vocals pick up again. This one picks up and makes you feel on edge, putting you in the place of raging rapids. The chorus singing is pretty awesome as well.
The Miklagard Overture is very blatantly an epic song. It is the end to the journey of The Varangian Way and ends it in a dramatic fashion. You even hear him near the beginning saying "to Holmgard and beyond" again, but softer. The backing music just adds the oomph that gets you into the great conclusion of the CD. It stirs you up and lets you out gently while you still want more, and is really a fantastic conclusion to the album. However, lucky me, my copy of TVW had copies of Battle Metal and Rasputin at the end of the CD, so there is fun still to be had once the adventure that is this CD is finished.
For the band themselves, I did some research and I really respect them. Warlord says that he's not writing about dragons and cheesy crap like that, their music has meaning and substance and they believe in it. I really respect that (how'd they end up being the opening band for Dragonforce? Haha!)
As well, just from fans alone, they seem like really nice, friendly guys. They are shockingly young but have done unbelievably well for themselves considering. Their ages range from 18 (Netta Skog, the accordion player) to 27 (the violinist, Olli Vänskä). Their warpaint and viking/barbarian outfits are pretty awesome and their live shows, from what I've seen on the bonus disk, are incredible. They've already made a fair name for themselves in Europe, playing festivals and the like.
What I find is incredible is that, for the style of viking/folk metal, it's not really been heard much in Canada yet. I mean, Finntroll is the biggest and original folk band and they just came to Canada last month for the first time. Helloween, who is a power metal band who've been around since at least the 90s, just came to Calgary for their first time too! These unique bands don't usually get to Canada for YEARS, and Turisas is already big enough to be opening for Dragonforce, and coming to Canada after they've been around for not even 3 years. That's insane!
As a violinist, I really appreciate the fact that these guys have, along with vocals, guitar, bass, and drums, an actual violinist and accordion player IN the band, not just in the studio. It's nice to know that Netta and Olli are respected as actual metal musicians, not just studio music. I really like that. And Warlord is just a genius in general. He writes most of the lyrics, as well as does the piano (now that their pianist quit) and symphonic backing music in studio.
So in summary, I have been listening to Turisas since... approximately October 3rd, and I think they are bloody brilliant. Warlord's vocals are everything I've ever hoped to find in a viking metal band, they have incredible musicians, including those guys who make the extra folky music included in their songs, and they put together one hell of an epic adventure on their second CD. So before, when I was saying that I wouldn't be going to Dragonforce... yea, I'll be going, but not to see them. I want to hear some Battle Metal and rock out to Turisas!
However, a few days ago I thought I'd look and see who's opening, just incase they're sweet. It's this band called Turisas that I'd never heard of before, so I went to look on youtube to have a listen. Well, if you know Turisas, you will know that the first song I came across would be Rasputin. So I hit it and listen. Then I think, "hey, I know that tune.... oh man! OH MAN! YES! FUCKING YES!" It was a metal cover of Rasputin by Boney M, which is a sweet disco song made even SWEETER by being metal. I came very close to soiling myself with excitement.
So I go to the next song, which was the official video made of fan clips for the song Battle Metal, which I guess is their big thing. The song was awesome in a way that claims fame to wicked music, killer vocals, and just a hint of cheese.
So of course I went straight to Play and bought The Varagian Way (limited Paganfest tour edition). It's more or less a story album about a viking journey, from what I gathered (Varangian being a term for viking).
I popped it onto my computer and started copying it and I thought... this first song (To Holmgard and Beyond) is unbelievable! The intro music draws you right in and I love Mathias "Warlord" Nygård's vocals. You can tell the thick Finnish accent without it limiting his voice, but actually makes it seem more suitable for the music. And the music - it's just awesome. The whole collaboration of the actually band members' instruments with the symphonic stuff that Warlord provided for the background just makes the song. Also, Warlord growls just enough to change up the vocals but without being annoying. I straight up love it.
The next song (A Portage to the Unknown) starts out with an accordion intro that has kind of a piratey-viking feel to it that you don't get in much metal unless you venture into the realms of Finntroll and Korpiklaani. The slowed down vocals are really nice so you can actually hear what Warlord is saying. The collaboration of multiple singers into the chorus gives it more of an epic feel too. I particularly like when one of them busts out the "give me all you 'ave..."
I wasn't sure at first if I liked Cursed Be Iron or not. I find the clanking blacksmith noises to be cool but the initial singing has a bit more of a mainstream American feel to it. However, once he slows down with the accordion droning in the background it sounds good again. After you get past the intro shock, it actually sounds just heavy and not American. I also really like the part at the end with the whispering. I read that this song was inspired by a finnish epic poem called The Kavelava but I couldn't find it to compare. Lyrically this song is very interesting.
I actually didn't know Fields of Gold was a separate song at first because Cursed Be Iron flows into it so directly. It takes the feel of Cursed Be Iron and continues on with it, softening the harshess and allowing the song to be a bit more musical. It has a nice feel following Cursed Be Iron.
The Court of Jarisleif is another one with a bit of a Finntroll folky feel to it, just a happy accordion song that makes you want to dance around and party with King Jarisleif, like the song indicates. Jarisleif was actually a ruler in Rus (Yaroslav I the Wise), so this song is actually a very entertaining take on real history. The violinist really gets going in this song too, which I really like.
I LOVE the intro the Five Hundred and One. The piano has a really beautiful sound that reminds me of the title screen music for the Tristan and Isolde DVD and I love the music from that movie. The song is a bit heavier than I would've expected from such a pretty intro. It changes quite abruptly but becomes a really intense song, going up and down in intensity while maintaining flow.
The Dnieper Rapids really does feel like an raging river as it starts. Warlord's little introductory growl is a nice touch leading into the false sense of calm that comes before the vocals pick up again. This one picks up and makes you feel on edge, putting you in the place of raging rapids. The chorus singing is pretty awesome as well.
The Miklagard Overture is very blatantly an epic song. It is the end to the journey of The Varangian Way and ends it in a dramatic fashion. You even hear him near the beginning saying "to Holmgard and beyond" again, but softer. The backing music just adds the oomph that gets you into the great conclusion of the CD. It stirs you up and lets you out gently while you still want more, and is really a fantastic conclusion to the album. However, lucky me, my copy of TVW had copies of Battle Metal and Rasputin at the end of the CD, so there is fun still to be had once the adventure that is this CD is finished.
For the band themselves, I did some research and I really respect them. Warlord says that he's not writing about dragons and cheesy crap like that, their music has meaning and substance and they believe in it. I really respect that (how'd they end up being the opening band for Dragonforce? Haha!)
As well, just from fans alone, they seem like really nice, friendly guys. They are shockingly young but have done unbelievably well for themselves considering. Their ages range from 18 (Netta Skog, the accordion player) to 27 (the violinist, Olli Vänskä). Their warpaint and viking/barbarian outfits are pretty awesome and their live shows, from what I've seen on the bonus disk, are incredible. They've already made a fair name for themselves in Europe, playing festivals and the like.
What I find is incredible is that, for the style of viking/folk metal, it's not really been heard much in Canada yet. I mean, Finntroll is the biggest and original folk band and they just came to Canada last month for the first time. Helloween, who is a power metal band who've been around since at least the 90s, just came to Calgary for their first time too! These unique bands don't usually get to Canada for YEARS, and Turisas is already big enough to be opening for Dragonforce, and coming to Canada after they've been around for not even 3 years. That's insane!
As a violinist, I really appreciate the fact that these guys have, along with vocals, guitar, bass, and drums, an actual violinist and accordion player IN the band, not just in the studio. It's nice to know that Netta and Olli are respected as actual metal musicians, not just studio music. I really like that. And Warlord is just a genius in general. He writes most of the lyrics, as well as does the piano (now that their pianist quit) and symphonic backing music in studio.
So in summary, I have been listening to Turisas since... approximately October 3rd, and I think they are bloody brilliant. Warlord's vocals are everything I've ever hoped to find in a viking metal band, they have incredible musicians, including those guys who make the extra folky music included in their songs, and they put together one hell of an epic adventure on their second CD. So before, when I was saying that I wouldn't be going to Dragonforce... yea, I'll be going, but not to see them. I want to hear some Battle Metal and rock out to Turisas!
Oct 5, 2008
Concert Reviews - Gamma Ray/Helloween
Ah, Helloween. Helloween is one of the first metal bands I got into after Iron Maiden, along with Blind Guardian and Iced Earth. You can imagine my elation upon discovering their imminent concert at the Mac Hall Ballroom with Gamma Ray.
Gamma ray is, for lack of a better description, old Helloween. They were formed by Helloween's first singer (Uli Kusch also played for them before joining Helloween) and Kai Hanson sings for them to this day. So seeing Gamma Ray with Helloween is like seeing a band that sounds just like old Helloween playing with Helloween. Translation: pretty cool.
I've heard a song or two of Gamma Ray's here and there but otherwise I haven't paid much attention to them, being a bigger fan of new Helloween over the old stuff. So, being unfamiliar with most of Gamma Ray's songs, I was quite pleasantly surprised.
Gamma ray is, for lack of a better description, old Helloween. They were formed by Helloween's first singer (Uli Kusch also played for them before joining Helloween) and Kai Hanson sings for them to this day. So seeing Gamma Ray with Helloween is like seeing a band that sounds just like old Helloween playing with Helloween. Translation: pretty cool.
I've heard a song or two of Gamma Ray's here and there but otherwise I haven't paid much attention to them, being a bigger fan of new Helloween over the old stuff. So, being unfamiliar with most of Gamma Ray's songs, I was quite pleasantly surprised.
Kai Hanson from Gamma Ray, formerly of Helloween
The music was good, Kai Hanson sounds just like he used to and is really quite enjoyable to watch onstage, and, to my true enjoyment, they did a great rendition of Ride the Sky off Helloween's first CD, Walls of Jericho, which Kai Hanson sang on.
They played some pretty good songs, a newer one called Empress that was about being bitten by a vampire, or a princess, or perhaps both, and they got the crowd going pretty good to Heavy Metal Universe. Gamma Ray is also the first "opening" band I've ever seen to come back for an encore, though I suppose technically they were touring together, not so much as an opening. But to my elation, they played Send Me A Sign, which is pretty much the only Gamma Ray song I know, and I'm rather fond of it.
They played some pretty good songs, a newer one called Empress that was about being bitten by a vampire, or a princess, or perhaps both, and they got the crowd going pretty good to Heavy Metal Universe. Gamma Ray is also the first "opening" band I've ever seen to come back for an encore, though I suppose technically they were touring together, not so much as an opening. But to my elation, they played Send Me A Sign, which is pretty much the only Gamma Ray song I know, and I'm rather fond of it.
Gamma Ray, Calgary 2008
Helloween was, ah, well, what can you say about Helloween? I really didn't know what to expect from Helloween. There were a lot of songs I was dying to hear but I didn't know what I was going to get because this was their first time in Calgary, and I would say that for a first time concert, a good selection of old favorites in with a couple newer ones is probably the way to go. That's pretty much what we got.
Andi Deris of Helloween
Andi Deris was phenomenal to watch. He's not quite as pretty in real life as photoshoots would lead you to believe but his voice is still unreal. He's also quite funny to watch, giving us lessons in German profanity and the like. He was also really good at getting the crowd all hyped up.
Michael Weikath of Helloween
Michael Weikath was an interesting sight to see. His visage is, like in most of his pictures, not unlike an old potato that's sprouted a quaff of fuzzy hair. He's a great player but has a bit of a cocky thing going on and tends to flick his wrist in a rather affeminate way, which I admit bothered me after I noticed it.
Sascha Gerstner of Helloween
Sascha Gerstner, I actually saw walk by me when I was buying a shirt but didn't recognise him as the newest and youngest member of the band. He was, along with Andi Deris, the one I enjoyed watching the most. He was far better looking than anyone else for one. Also, his style was just overall great. He's great to watch, he looks like he's having fun and not trying to impress anyone, he's just having a good time. And the music is great. I didn't know they had a second guitarist but I was pleased with the result for sure!
Markus Grosskopf of Helloween
Markus Grosskopf adds another member to the strangely misshapen old men of Helloween, however, his bass playing was catchy and enjoyable, as you can only hope from a bass player. Without him, it wouldn't have been Helloween right?
Dani Löble of Helloween, during a drum solo
Lastly is Dani Löble. If anyone has heard me talk about the drummer that has been with Helloween since Keeper of the Seven Keys: The Legacy, you'd have heard a glowing report. In his own words, he is a "symbiosis" of Helloween's two former drummers and I couldn't agree more. He takes the styles that both of the others had and uses the parts that work from each to make it his own. He actually did a drum solo in the middle of the show that rather blindsided me with amazement. He to this day remains one of my favorite drummers to listen to. It's nice to see the drumming in a band stand out to me.
Musically, they did have a pretty good selection in the manner I had expected - old favorites with a few well-known (singles) new ones thrown in. They had a nice creepy-ish intro, just as I expected, and opened up with Andi Deris belting out Kai Hanson's old tune, Halloween! After a brilliant rendition of Halloween, they also played such old favorites as Sole Survivor, Mr. Torture, If I Could Fly, Eagle Fly Free, Dr. Stein, and a couple others I couldn't place. They did play two songs off Gambling With the Devil, which were As Long As I Fall (one of the songs I wanted to hear) and Paint a New World, which I didn't care much about hearing, but was still really good.
In regards to the song selection, I really can't complain. Hearing Andi Deris sing those old songs of Kai Hanson's really was a treat. I absolutely love Deris's voice and I was really stoked to hear it in those old songs. I mean, I would've loved to hear songs like Time of the Oath, The Departed (known to many as my all-time favorite song ever), and Mrs. God (my theme song). Mrs. God was the only one I was truly disappointed not to hear. I didn't expect to hear the other two but I had hoped that they'd play at least one song off KotSK: Legacy and I knew if they did, it'd be that one. I mean, it's only their second oldest CD, you'd think they might've done it. But alas, no such luck for me. Not that I'm complaining, they've got a lot of great music and you can't expect to hear everything you want in one concert. Looks like I'll just have to go see them again, yes?
The encore was a particularly good treat. They did two, for starters. The first was kind of a mashup of Master of the Rings songs, including Where the Rain Grows into a very crowd-involved long version of The Perfect Gentleman, which was pretty killer. Then of course, they came back WITH Gamma Ray for the second encore to play Future World and I Want Out (old Kai Hanson songs from early Helloween), which was unbelievable.
Musically, they did have a pretty good selection in the manner I had expected - old favorites with a few well-known (singles) new ones thrown in. They had a nice creepy-ish intro, just as I expected, and opened up with Andi Deris belting out Kai Hanson's old tune, Halloween! After a brilliant rendition of Halloween, they also played such old favorites as Sole Survivor, Mr. Torture, If I Could Fly, Eagle Fly Free, Dr. Stein, and a couple others I couldn't place. They did play two songs off Gambling With the Devil, which were As Long As I Fall (one of the songs I wanted to hear) and Paint a New World, which I didn't care much about hearing, but was still really good.
In regards to the song selection, I really can't complain. Hearing Andi Deris sing those old songs of Kai Hanson's really was a treat. I absolutely love Deris's voice and I was really stoked to hear it in those old songs. I mean, I would've loved to hear songs like Time of the Oath, The Departed (known to many as my all-time favorite song ever), and Mrs. God (my theme song). Mrs. God was the only one I was truly disappointed not to hear. I didn't expect to hear the other two but I had hoped that they'd play at least one song off KotSK: Legacy and I knew if they did, it'd be that one. I mean, it's only their second oldest CD, you'd think they might've done it. But alas, no such luck for me. Not that I'm complaining, they've got a lot of great music and you can't expect to hear everything you want in one concert. Looks like I'll just have to go see them again, yes?
The encore was a particularly good treat. They did two, for starters. The first was kind of a mashup of Master of the Rings songs, including Where the Rain Grows into a very crowd-involved long version of The Perfect Gentleman, which was pretty killer. Then of course, they came back WITH Gamma Ray for the second encore to play Future World and I Want Out (old Kai Hanson songs from early Helloween), which was unbelievable.
Helloween and Gamma Ray, united, playing the second encore of Future World and I Want Out
So what can I say? I thought this show was bloody brilliant and I hope to see them again and maybe I'll get to hear a couple more of those songs I missed out on last night. Gamma Ray is exactly what you need to warm you up for Helloween and overall I just thought it was great. Just... you know... try not to stand behind a big fat guy whose farts smell like he's shitting his pants. I really advise against that. Way to almost ruin a great concert for me buddy.
So my advice to Helloween fans is to go see them. The live experience will not disappoint.
Helloween: Andi, Sascha, Markus, Michael, and Dani in the back
Year: October 2008
Opening bands: Gamma Ray
Who I went with: Michael Widmer, Mike Wiseman, Andrea Wiseman, Frank Coetzer, Jaco Coetzer
Location: Calgary - Mac Hall Ballroom
Concert Reviews - Finntroll
Ah, Finntroll. One of those bands that you think, "they'll never come here, so hopefully if I go to Sweden (or some other European country) one day I'll be able to catch a show." Imagine my delight when I heard they were coming our way!
I've never been to The Warehouse before, and I imagine, of the three main venues in Calgary, that it is by far the smallest place to go see a show, which is appropriate for Finntroll since I imagine they aren't particularly well known in these parts.
Opening for the touring bands was local pirate metal band, Verbal Deception. I had borrowed one of their CDs and was, needless to say, not particularly impressed, so I was curious but not particularly excited to see them. What a pleasant surprise for me! The music was enjoyable, the singing quiet and unoffensive, and the keyboarding... interesting. During the parts where the harpsicord didn't sound like a small creature being tortured, it added the pirate-y flavor to the songs. The sound, I believe, wasn't set up optimally for them, but they were enjoyable to watch and fun to listen to.
The actual opening band was called Warbringer. As someone who detests thrash metal, I don't have much to say about them. The singer was annoying, and the kick was ruined by the incessant banging on cymbals, etc. That aside, the music wasn't too bad. I think I slept through the first two songs because it was annoying me and I was tired. The set seemed to last 3 days and I was forgetting why I came to the concert in the first place.
So finally Finntroll came out. My first thought was... umm what? Who is that scrawny guy? Where's the big fat scary dude from the Trollhammaren video? Que? Well, if I hadn't known better already, this tiny little man (Vreth), youngest of the group and newest as of 2006 (and the newest album's vocalist), might have been the singer all along. He had a horrendous (in an awesome way) voice and sang all the old songs just as well as I might have expected from the behemoth who used to sing for them.
I've never been to The Warehouse before, and I imagine, of the three main venues in Calgary, that it is by far the smallest place to go see a show, which is appropriate for Finntroll since I imagine they aren't particularly well known in these parts.
Opening for the touring bands was local pirate metal band, Verbal Deception. I had borrowed one of their CDs and was, needless to say, not particularly impressed, so I was curious but not particularly excited to see them. What a pleasant surprise for me! The music was enjoyable, the singing quiet and unoffensive, and the keyboarding... interesting. During the parts where the harpsicord didn't sound like a small creature being tortured, it added the pirate-y flavor to the songs. The sound, I believe, wasn't set up optimally for them, but they were enjoyable to watch and fun to listen to.
The actual opening band was called Warbringer. As someone who detests thrash metal, I don't have much to say about them. The singer was annoying, and the kick was ruined by the incessant banging on cymbals, etc. That aside, the music wasn't too bad. I think I slept through the first two songs because it was annoying me and I was tired. The set seemed to last 3 days and I was forgetting why I came to the concert in the first place.
So finally Finntroll came out. My first thought was... umm what? Who is that scrawny guy? Where's the big fat scary dude from the Trollhammaren video? Que? Well, if I hadn't known better already, this tiny little man (Vreth), youngest of the group and newest as of 2006 (and the newest album's vocalist), might have been the singer all along. He had a horrendous (in an awesome way) voice and sang all the old songs just as well as I might have expected from the behemoth who used to sing for them.
A foggy shot of the singer, Vreth, and his amazing hair.
Interestingly, I noted that the drummer seemed to be very intent on his work. Unlike most drummers, who thrash around and bang their heads, this round, bald man played brilliant kick and amazing drums whilst evidently not moving his body at all. There was a rare and occasional turn of the head slightly to the left, but I was simply blown away by the fact that a drummer, playing like he was, could not move himself at all. I was unaware that this could be done.
The music was lively and fun and as enjoyable as always to listen to. I was particularly pleased, being rather infamiliar with Finntroll's actual songs (sans En Maktig Har and Trollhammaren), that I actually recognised a few songs, like Jaktens Tid and several more whose names I didn't know offhand. Swedish does that you know. The fact that the music, with everyone playing, was clear made it more enjoyable than the din that preceeded it.
Another foggy shot of stage.
So for Finntroll's first appearance in Calgary, I was very impressed with their show. You truly have to respect a band that, even though they're just playing in a small bar, doesn't fail to give the show their everything. I would say that if you're into the whole folk metal bit, take a chance to see Finntroll if they're in your area because you never know when a band like that will be back.
Year: September 2008
Opening bands: Verbal Deception, Warbringer
Who I went with: Michael Widmer, Graham Widmer*, Gianna Romano*
Location: Calgary - The Warehouse
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